Project One: Week Three

Project One is a consecutive project that is due every week with the same rules. It is three pieces that are 11in x 17in. These three pieces (three produced each week) has to be based on one word that potentially has a lot of meanings.

Week Three of Project One was due September 12. For this project, I wanted to do something that didn't involve the human body. These aren't my best, and I wish I would have done better than this, but there are always good and bad projects! It's a way of learning. For these I decided to stick with somewhat blurry pictures of book burning, because I wanted people to figure it out themselves. I also did this, because I feel like coming back to this topic again in a future project one, where I can actually spend more time on it.

Here are my three 11in x 17in:

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S.O.S Layout Assistance

The next project for Type 3 we had to design a product that people (student designers) could use to learn about a specific part of typography / typesetting. We were supposed to choose an aspect about type that we necessarily did not know ourselves / something we could have used when learning to typeset The Exegesis. After typesetting The Exegesis, I realized my biggest issue was margins and layout design. So, I teamed up with Brooke Cirone to develop a product that people can play with to help view text boxes in a manipulative and creative way. This helped me understand spatial value, and understanding that layouts don't just have to be boxes - they can be any shape you please. We also had to develop packaging, I wanted to create a box with a sticker to show the branding - but time and costs became a big issue. We chose a clear holder to hold all of the materials in that could essentially be packaged the way it came, with a handy dandy holder to place materials and can be easily s...

Exegesis

We had to typeset the Exegesis of Philip K. Dick and professionally print them through Blurb. For presentations we had to write a brief, one paragraph summary of our approach to the book and cover. This is what I wrote: The approach to this book reflects one of minimalistic properties. I chose one column to create a flow throughout each page and stay consistent throughout the book. Each verse is placed on the outer left of the column corresponding with the paragraph it is tied to, appearing like folder tabs (as folders is the main theme). This is reflected in the cover of the book as well, where the treatment of the prepositions are also placed on the left hand side and flipped sideways like the verses in the text. Each chapter page has a border with a chosen image that is blown up to achieve an eerie effect. I also chose this approach because for each cover page, it seems as though the black is infecting the white through different ways, achieving the overall point of the Form I ...

Type Critique: Kelsey Mack

Critique on Kelsey Mack's type project: Instantly the waves of type grabbed my attention. Some waves stay consistent throughout the piece, all forming the same waves through each line of type. Some of the words are changed to a different typeface, which some are very successful in pulling out information like the word Kremlin 's scale and bold typeface instantly draws my attention there. There are some issues with letter spacing, like the word "Kremlin" the r and e are very close together which i'm sure is because of the curve it sits on but kerning could have helped. Some of the shifted typefaces / scale of type overlaps other type, creating irregular spacing - i'm not sure if that is a right design decision because these hefty holes in the body feel erratic. Some work well though, the "oh" covers up the text above nicely. Curvilinear lines aren't exact, for example the spiral on the bottom seems to have ridges in it, not a nice smooth curve ...

The Beehive

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