Skip to main content

Gestalt: Final

This post is going to be combining a few different class days in Visual Communication I.

Wednesday 9/7: We toured the Print Shop and got our information to print our final version of our Visual Order: Gestalt books. I did not get a desk crit with Emmy that day.

Monday 9/12: I was absent this day with a doctor's note, but I sent my mockup to Emmy, while others brought their printed mockups to class for group critiques.

Wednesday 9/14: This day we started our new project Monday Prototyping, which has it's own blog post. For Gestalt, I wanted to make this note to place the feedback I got on my mockup.

  • Tyler
    • Make body text lowercase. Words in capital letters have the same shape (a rectangle) so, they’re harder to distinguish
    • Rethink horizontal lines, everything is already distinguishable in their own space
    • Rethink border around both left and right side
    • How to make everything more related
    • First few pages have block behind text, but not the rest
  • Emmy
    • Too safe!
    • Other people are making their text do the same thing as the picture, how can I make more of a unity between the two
    • Don't think about the audience
    • Pictures are really the only thing interesting, how can I make the other side interesting
  • Toni
    • Incorporate what we are doing in Image to the book
    • Get messy!
    • Everything is too straightforward
    • How can I make people have to look for the information, but not make it illegible 


Monday 9/19: Finalized Visual Order book was due, we had to bring our final print to class, and upload the final on Issue, which is here!
I definitely like certain pages more than others. I felt pretty rushed with this, but I am going to go back and work on the things I want to change, and incorporate the information I got during critique.

Class Critique:

  • White text is good
  • "Table of Contents" is too close to the top
  • "Closure" is the only word in the whole book that crosses over to the next page, so try to apply that to other places
  • "Asymmetrical Balance" page does not read well, whole thing should be redone
  • Some words explain the term visually but some of them don't like Dilation
  • Focal Point page, text on bottom left is too light to read

Comments

Popular posts from this blog

Modes of Persuasion

Notes on Video 350 BCE Aristotle organized his Modes of Persuasion into three different categories that would help made things more appealing to audiences: “Of the modes of persuasion furnished by the spoken work there are three kinds  : Ethos - Persuasion is achieved by the speaker’s personal character when the speech is so spoken as to make us think him credible Pathos - Secondly, persuasion may come through the hearers, when he speech stirs their emotions Logos - Persuasion is effected through the speech itself when we have proved a truth or an apparent truth by means of the persuasive arguments suitable to the case in question.” Ethos: An Ethical Appeal Greek for “ character” - Persuading based of the character of the author Does the author have credibility? Establishing credibility, respectability, likeability, reputation, message quality. In Graphic Design: Maintaining credibility through the use of messages. Celebrities can help sustain an...

Rhetoric

PART ONE: research I first started out with this project with research and figuring out what rhetoric is. Definitions: the art of effective or persuasive speaking or writing, especially the use of figures of speech and other compositional techniques. language designed to have a persuasive or impressive effect on its audience, but often regarded as lacking in sincerity or meaningful content. The ends justify the means Nice Quotes: “Every manufactured item send out signals to the mind or emotions. These signals - strong or weak, wanted or unwanted, clear or hidden, create feelings.” - Dieter Rams “For Rhetoric, language is never simply a form of expression: it is a functional tool that is manipulated to achieve desired ends.” - Ellen Lupton “Misunderstanding associates rhetoric with the bombastic and hollow, with fraud and seduction, with deceit and sheer ornamentation. The long history of this art, in contrast to popular assumptions, tells us that rhetoric has been concerne...